A friend and I spent the weekend at an arts retreat near Pittsburgh. Having never been to anything like this, my expectations were nil. I was just excited to get away for a few days with my pastels, sketching pencils and camera. A whole weekend devoted to nurturing and encouraging the artist within. Delightful...[The photo above was taken after the Saturday rain.]
I heard some great talks, but the greatest was that of Howard Zehr, professor of Restorative Justice at EMU and he's an amazing documentary, landscape and portrait photographer. Howard is the most gentle and humble man I've ever met. He uses his creative gift of photography as meditation, as a way to slow down and really see the world and it's people. I have always enjoyed photography myself, I'm always behind the camera and never in front of it. That's how I like it. But listening to him and his views on photography gave me a whole new respect for the art. I will share a little with you here. And more to come later.
Howard noticed that the average verbiage used for photography is a bit aggressive, think about it: "point and shoot cameras." "Take the shot." He sees photography so differently, for instance, "Taking photos," instead, he says we are "receiving photos" or "borrowing the image." They are a gift and the subject ought to be respected. I've never thought of respecting the landscape when I'm peering at it though my viewfinder. However, I do appreciate God's immense creativity in crafting such beauty.
When I've traveled overseas, my camera is with me. Often I don't feel comfortable "receiving" (taking) photos of people without their permission. It makes me feel as if I'm invading their privacy. While in Jerusalem last year, I was overtaken by the sacredness of the Western Wall, or Wailing Wall. I was unprepared for the deep emotion that surfaced on my heart. As I stood in the large plaza surrounded by travelers from all countries and many local Israelis, this man caught my eye. What caused me to "borrow his image?" Maybe it was the unexpected curly horn under his left arm. Possibly the way he's shielding his eyes from the bright morning sun. Or maybe it's the unspoken story that is forever carved onto his face.
Now, a year later and reflecting on this image again, I have great respect for this Hebrew man. The image contrasts the young Israeli army recruits in the background to this man's old but kind face. Guns in the hands of the young soldiers and an ancient horn in the hand of the old fellow. What was this man's day like leading up to the moment I saw him through my lens? What did he have for breakfast? Did he kiss someone goodbye as he left his home earlier? I ask myself, how can my photography be used to show respect for people, accurately tell their story or create mystery and wonder. How can I create something that invites others into an opportunity to see with their heart instead of just their eyes.
I'm still processing all the wisdom and insight that Howard offered us at his talk over the weekend but I'm praying that it will make me more aware of the beauty to be "borrowed" as I peer through the lens of my camera.
Grace & peace on the creative Journey ~ deAnn
(c) 2008 deAnn Roe of Vertical Creativity. Can be used with permission by contacting deAnn














